
Maureen Bisilliat retraces the path taken by Mário de Andrade through the Amazon in 1927. Covering 2,500 kilometers in five weeks on board Lima Gonçalves IV - from Belém to Manaus by the Amazon River and up to Porto Velho by the Madeira River -, the photographer recorded her impressions in a river diary written for his grandson Nicholas, then 5 years old.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.