Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

The man sits next to a godmother who he owes, for negotiation. The Godmother gives him one last chance to save his own life.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs