Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Death Pool poster

Death Pool (2017)

Johnny Taylor has a big problem: he LOVES to drown good-looking girls. When he sees water and attractive females together, something in his head begs him to kill - the psychological result of a traumatic near-drowning during his childhood at the hands of a twisted babysitter. Fighting the urge to act on his sinister thoughts most of his adult life, Johnny finally succumbs to his dark instincts when the only work he can find is around water, cleaning pools. Filled with colorful characters, beautiful women and set against the backdrop of the LA party scene, Death Pool encapsulates the desire for fame, the lust for desire, and the urge to kill.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Johnny Taylor has a big problem: he LOVES to drown good-looking girls. When he sees water and attractive females together, something in his head begs him to kill - the psychological result of a traumatic near-drowning during his childhood at the hands of a twisted babysitter. Fighting the urge to act on his sinister thoughts most of his adult life, Johnny finally succumbs to his dark instincts when the only work he can find is around water, cleaning pools. Filled with colorful characters, beautiful women and set against the backdrop of the LA party scene, Death Pool encapsulates the desire for fame, the lust for desire, and the urge to kill.

Rating:
Genre:Thriller, Mystery
Directed By:Jared Cohn
Written By:Jared Cohn
In Theaters:6/20/2017
Box Office:

Runtime:95 minutes
Studio:Traplight Pictures

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger