
Rain does not caress the skin, the wind resists blowing, a soul is like a doll forgotten in the house of glass. Tikhon Pendurin’s piece “Death of Cinema” is a dream of a film, the process of falling asleep, a frozen cosmos, the liturgy of a sigh. Fotogénie, a return to the forgotten magic of magician Segundo de Chomon, the mystery of Val del Omar, Alain Resnais surreal theatricality “Death of Cinema” seems to absorb all the magic of cinema and confesses its own forgetfulness. The characters of “Death of Cinema” stand before the justice of truth, naive children turned with pride away from the audience. Here, the main thing is the hallucination of light, a whisper, a prayer, the bewildered physiognomy of cinema, which allowed itself to laugh at its own seriousness. (by Karina Karaeva)
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.