Rain does not caress the skin, the wind resists blowing, a soul is like a doll forgotten in the house of glass. Tikhon Pendurin’s piece “Death of Cinema” is a dream of a film, the process of falling asleep, a frozen cosmos, the liturgy of a sigh. Fotogénie, a return to the forgotten magic of magician Segundo de Chomon, the mystery of Val del Omar, Alain Resnais surreal theatricality “Death of Cinema” seems to absorb all the magic of cinema and confesses its own forgetfulness. The characters of “Death of Cinema” stand before the justice of truth, naive children turned with pride away from the audience. Here, the main thing is the hallucination of light, a whisper, a prayer, the bewildered physiognomy of cinema, which allowed itself to laugh at its own seriousness. (by Karina Karaeva)
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
