“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

Two struggling friends chase dreams, battling rejections and unforeseen challenges in their artistic careers, reflecting the under-appreciated life of a mule. In the vast tapestry of life, there are moments when our dreams take the center stage, beckoning us with their elusive promises of fulfillment. These are the moments when we become true artists, navigating the turbulent waters of passion, ambition, and the relentless pursuit of our creative visions. Two struggling friends who dare to chase their dreams, unearthing the profound layers of their experiences and the poignant parallels with the uncelebrated existence of a mule.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.