The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Under mysterious circumstances, the restorer Lukas Albrecht drowns in the Canale dei Marani in Venice. While the easy-going Commissario Santo sees no criminal offense, the victim's widow resents the details. Anna, who is traveling from Vienna with her eleven-year-old son, doesn't believe it was an accident: her husband didn't have any alcohol in his blood, he knew the lagoon and could swim
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
An in-depth discussion about anti-Black discrimination in college and professional football.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict