Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Death Code X poster

Death Code X 

31-year old Ilja Felder works in crisis intervention. When assessing a bereaved mother after her son committed suicide, Ilja struggles, but refuses to admit his weakness to himself and his supervisor Nadia. Soon he drives out to his first unaccompanied assignment - a road accident during a stormy night. When the accident perpetrator turns out to be suicidal, Ilja completely loses his nerves and almost makes a fatal mistake. As a result, he finally has to acknowledge that he can no longer ignore his past.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


31-year old Ilja Felder works in crisis intervention. When assessing a bereaved mother after her son committed suicide, Ilja struggles, but refuses to admit his weakness to himself and his supervisor Nadia. Soon he drives out to his first unaccompanied assignment - a road accident during a stormy night. When the accident perpetrator turns out to be suicidal, Ilja completely loses his nerves and almost makes a fatal mistake. As a result, he finally has to acknowledge that he can no longer ignore his past.

Rating:
Genre:Drama
Directed By:Alexander Löwen
Written By:Alexander Löwen, Daniel Thomé
In Theaters:
Box Office:

Runtime:25 minutes
Studio:Hochschule für Fernsehen und Film München, Schmidbauer-Film, BR

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso