Skater Girl – Sisterhood, Rebelliousness, Social Castes, and Skateboarding
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.

A South American outlaw who reigns in the underworld and is brutal and cool, and the archipelago who is tumultuous due to the criminal method away from the Japanese. The scariest outlaw he was in South America destroying all morale! Riki Takeuchi returned from Colombia, South America a few years ago. He currently has a used car dealership. But that's the front face. The back face was the head of a trafficking organization sent by a Colombian drug cartel. the only one who does not have an organization and has entered the market where China's shabs have an overwhelming share. One day, a conflict broke out with the Yang brothers of the Chinese mafia (Tomoyuki Mashiko, Kazuhiro Mashiko) due to a small problem. A series of monstrous crimes that flood the city at the same time. And Nagasaka (Kenichi Endo), a former bad friend, who tries to steal both cocaine and shab routes. A large-scale conflict between Chinese and Colombian organizations that shakes society from scratch.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Check out the ABCs of Abbott Elementary - Cast & Reviews - In 'Abbott Elementary' showrunner and star Quinta Brunson highlights common issues among teachers deserving of Superhero Status.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.