Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Inspired by the true rescue story of social activist Dipesh Tank, who risked his life to save minor girls from trafficking, a rescue worker disguised as a filmmaker infiltrates a lawless village on a secret mission.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
After his family fled to England after the Vietnam War, Kit returns home to Saigon.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.