The Bleak Reality of “Lost Girls”
A working class mom searches for her daughter.

After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.
A working class mom searches for her daughter.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.