'Don't Look Up' Wasn't Much to Look Up to
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.

After escaping from a maximum-security prison, Freda Maxwell, a woman convicted of murdering her abusive father, is desperate to stay ahead of the law. When she kidnaps Drew Peterson, a seemingly innocent med student, to aid her getaway, her plan takes a horrifying turn. Drew’s polite facade unravels, revealing a dangerous predator with dark intentions. As Freda navigates her fight for freedom, she finds herself trapped in a psychological battle with a man who views her as a pawn in his own twisted game. With both the police and Drew closing in, Freda must confront her haunted past and summon every ounce of will to outsmart her captor and uncover the truth that could save her—or seal her fate forever
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.