A Personal Experience of Representation - The Intersection of Armenian Culture & Epilepsy
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.

In 1900's rural Australia a First Nations man, ‘Deadly’, raised by a colonising Police Captain and exploited by the government as a tracker, discovers the secrets of his past and seeks redemption by helping an innocent Elder escape execution.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.