
After a homemade psychedelic smoothie results in a tragic accident, a carefree stoner is forced to hide the death of her girlfriend and live with the consequences. When the woman she loved returns from the grave as a flesh-hungry undead presence, grief turns to obsession and devotion becomes dangerous. Blending splatter comedy, queer romance, and grindhouse horror, the film explores how far someone will go to preserve love when it refuses to stay buried.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.