Pavel Ivanovich Chichikov plans to buy the titles to “dead souls” and use them as collateral to obtain a large loan. He comes to a small provincial town and begins to proposition the local landowners. These landowners are revealed to be so petty and avaricious that not even Chichikov’s amazing offer can be worked to his advantage on them. Some stall, some refuse for no obvious reasons, some promise and then renege, and others want “in on the deal.” In the end, Chichikov, having concluded that the landowners are a hopeless lot, leaves for other regions.
Mikhail Shveitser
Director
Aleksandr Trofimov
Nikolai Gogol
Aleksandr Kalyagin
Chichikov
Yuri Bogatyryov
Manilov
Larisa Udovichenko
Manilov's wife
Tamara Nosova
Korobochka
Viktor Sergachyov
Mizhuyev
Mariya Vinogradova
Mavra
Innokentiy Smoktunovskiy
Plushkin
Vyacheslav Nevinnyy
Sobakevich
Inna Churikova
Lady, nice in every respect
Lidiya Fedoseyeva-Shukshina
Lady, just nice
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.