Three hit people - two men, one woman, who have never met before are placed on a road trip down the East Coast together. The only thing they have in common is that they have all worked for the same boss - and, as they swap stories, discover that they have all screwed up for this same boss in the past. As they share their stories of errors on the job - seen through visual, stirring flashbacks - they begin to wonder why it was they were put together in the first place and what might be waiting for them at the end of their little road trip.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
