Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

Multiple perspectives paint the picture of the horrible disease of cancer with children in the Netherlands. One non-profit organization initiated a mission of a 100% survival rate. This is the story of how that mission is unfolding.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.