An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.