Ibrahim suddenly returns from abroad, to find his wife Safaa married to Ezzat. The couple seize his apartment and savings. Ezzat accuses Ibrahim of insanity in order to lock him up in a mental hospital where he's subjected to all kinds of physical and psychological abuse.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
