Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Watarai seems like a respectable science teacher at a cram school in a decent apartment complex but he has the hidden habit he dare not reveal. That of peeping in on people’s private lives. This veritable watcher in the attic has a peephole surveillance system set up to watch his downstairs neighbours, Taro and Hanae Magara, a couple who are university lecturers. They appear perfect from the outside but the husband hides a secret that Watarai discovers ahead of Hanae and he finds himself sucked from the role of an observer into that of a participant in the fracturing of their relationship and worse…
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.