
The fact that a tennis champion and a Formula 1 ace get stuck in a provincial town on their way to America due to difficult weather conditions may be justified. The fact that the two occupy two adjoining rooms in the only hotel in town is less so, because they are anything but friends. But a crowd of female fans, including a jealous lover, breathes explosive life into the dreariness. Who remains the match winner in the race for the favor of the horny groupies becomes the question of a fiery sex duel of a physical nature.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
A Christmas tale that everyone is wishing for, and that everyone will remember.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.