'The Harder They Fall': This Ain’t Your Grandma’s Spaghetti Western
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.

Two college students decide to take a vacation to the Amazon. While in a small village getting supplies, they provoke the anger of a local scoundrel, whose ruffians beat them up. After renting a boat and sailing down the river in search of some good scenery, the two kids become lost and are forced to jump in the water to avoid a cascade. Now totally lost, they enter a small village, where the natives eye them mysteriously. It is here that they meet a bizarre jungle female, who happens to be the last survivor of a helicopter crash that occurred years ago. She soon develops a bond with the two adventurers...
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
"Thunder Road" presents the grief that comes from a family member taking their own life.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.