Datta 

I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.

The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.