Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Das Paradies und die Peri poster

Das Paradies und die Peri 

Robert Schumann’s secular oratorio Das Paradies und die Peri, created and first performed in 1843. The libretto derives from a German translation of a verse epic by the Irish writer Thomas More entitled Lalla Rookh, which in turn makes use of Persian mythology.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Robert Schumann’s secular oratorio Das Paradies und die Peri, created and first performed in 1843. The libretto derives from a German translation of a verse epic by the Irish writer Thomas More entitled Lalla Rookh, which in turn makes use of Persian mythology.

Rating:
Genre:Music
Directed By:Tobias Kratzer
Written By:
In Theaters:
Box Office:

Runtime:98 minutes
Studio:

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones

"Voicemails For Isabelle" Is Heartwarming And Hilarious

Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories. 

Jo Moses