A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Hamburg-based photographer Kim Wenrich returns to her hometown of Nebra to give a statement to the police. Her father, Paul, is suspected of murder: he allegedly stabbed his former best friend, Arko Haumann, during an argument. Decades earlier, the two men had discovered the Bronze Age Nebra Sky Disc, one of the most significant archaeological finds of the 20th century. Detective Ritter is counting on Kim’s help to solve this strange case. He wants to know why that sensational discovery turned the treasure hunters into such bitter enemies. Convinced of her father’s innocence, Kim dismisses the idea the disc carries a deadly curse, a superstition feared by some in the small town. Although she initially intends to return to Hamburg as soon as possible, she begins to pursue the truth after finding a mysterious letter from her father and being reminded by her childhood friend Jonny of a secret from their youth. In doing so, she embarks on a journey into the darkness of buried memories.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.