'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Johanna can't find any friends. Not in the lecture hall, in the cafeteria or in the student club. That's why she creates a lie: she has cancer. Had she known what she was doing, she would rather have remained invisible forever.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.