
Fallon is a gorgeous twenty-something with just a couple of flaws. For starters, she's dead. A close second, she has found herself in a new job serving as a soul huntress for an evil overlord. Fallon accepts her new role and quickly turns loose on humanity. Her sinister supervisor, Mr. Sixx, is greatly impressed. Over confident in his new student, he assigns Fallon to a forbidden case -- one that ignites terrible memories and turns her against him. Can faith and family survive an onslaught of soul-searing demons? What happens when Fallon discovers that her next target is someone that she greatly cares for?
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
This reboot of The Wonder Years is told from the lens of a Black man.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.