Hey Kids - Join me, Darkwiiiiing Duck, in my all-time favorite adventures chosen from zillions of fan letters. Along with my daughter Gosalyn and my sidekick, Launchpad, we'll plucl the feathers of all who have gone afowl of the law. So c'mon crimebusters, lets'get dangerous! Now you can own the original adventure that introduced the legendary masket avenger, Darkwing Duck" Discover how Darkwing first came to adopt Gosalyn, his mischievous daughter, and how Launchpad McQuack first became his loyal and trusty sidekick. Together, our herores battle the notorious Taurus Bulba, the bullish kingpin who steals the goverment's top-secret weapon, the Ram Rod - then kidnaps Gosalyn because she's the only who knows the arming code! Can Darkwing grab the bull by the horns in time to rescue her and save the city from ultimate destruction? Get dangerous and find out!
Alan Zaslove, Tad Stones
Director
Jim Cummings
Darkwing Duck (voice)
Christine Cavanaugh
Gosalyn Waddlemeyer (voice)
Tim Curry
Taurus Bulba (voice)
Eddie Deezen
Mouth (voice)
Laurie Faso
Warden Waddlesworth (voice)
Terence McGovern
Launchpad MacQuack (voice)
Hal Rayle
Hammerhead Hannigan (voice)
Marcia Wallace
Clovis / Mrs. Cavanaugh (voice)
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.