What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

Asli Baykal’s Darkroom, created with the young participants of the Sirkhane Darkroom Workshop in a border town between Turkey and Syria, opens the screening program. In it, children roam the area, looking at the world through the viewfinders of analog cameras, in an intimate vision of the medium as a form of play and a way to forge an alternate reality in a conflict zone.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.