Creepy Concept, Lackluster Story: A Movie Review of “Come Play”
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

Nikolaï was abandoned at birth and has been in foster care ever since. Although a family would like to give the sixteen-year-old boy a home, he decides to make one himself. He meets Camille, an intriguing fifteen-year-old wiseacre, and tries to convince her to make a child together. Nikolaï is convinced that he can handle any problem and wants to avoid at all costs that an adult thwarts his plans. Camille and Nikolaï flee together from the home and isolate themselves in the woods. In the heart of this gloomy, mysterious forest, Nikolaï will have to face his first feelings and learn to become a man. Soon, he feels that there are many things he cannot control.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Four more classic horror films that are entertaining even if occasionally absurd.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.