"Pretty": Metecan Duren's Ambitious Horror Debut Shows Promise
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.

Dark Blue Night tells the story of the socio-economic distress of the low-income working class in Turkey. Semih, pursues his dream of becoming a footballer, unlike his friends who become miners. Unable to find a job in a club, he starts having difficulties, falls into deep credit debt. Married and having a daughter, Semih’s only pillar is his father Kazım, a retired miner and union representative. Although his father forbade him due to having been lost his other son in a mine accident, he starts to work as miner. Soon after Semih loses his arm during an accident. The mine owners offer to pay blood money. Semih first leans towards this idea that everybody else accepts, with the death of his father, his mind is changed. His unstable mood also causes conflicts with his wife. She leaves home. On the one hand, Semih pursues his legal struggle and on the other, he works hard to get his family back.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.