Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

Born on September 11th, 2001, Danny seems destined for disaster. A difficult home and social life leads to a lonely childhood, but in high school he finally finds his way when he joins a church youth group. Life is all right after that, until he falls unrequitedly for his beautiful classmate Megan who has zero interest in church boys. But while performing with his church drama team Danny discovers a talent for inventing new characters. And a chance in-costume encounter leads him to realize that Megan will like him as long as she thinks he's a rebel. So Danny, as the rebel, teams up with Megan to help her get revenge against her awful ex. Will the ruse succeed or will it be another Danny Doom disaster?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.