Daniel Boone leads a party of settlers into Kentucky to found the town of Boonesborough. Along the way, he meets and falls in love with a lovely, red-haired servant named Rebecca and must vie with the gambler, Jim Santee for her affection.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
