What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

The story of 26 year old Brandi Seaton. She is attractive, smart and single. After breaking off her engagement the day before her wedding, she decides to test the waters of the singles dating scene. How and where to begin is the problem. Brandi's roommate, Anita introduces her to a telephone "partyline" where she meets a handsome, professional named Alex. After one meeting both Brandi and Alex's lives change as their friendly conversations grow into obsessions and culminate in a tragic encounter.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.