In 1970s Los Angeles, rebellious queer teen Margaret gets thrown out of yet another foster placement and finds herself in the company of a mysterious social worker who's tasked with finding her a new home before the break of dawn. At odds and forced to travel the city together, Margaret realizes that running may not be her only option.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
The second film takes us on Peter's journey to be understood.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
