Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Explores the sensitive, and tense, relationship between life on an First Nations reservation and life in the outside world. When Native Canadian Silas Crow is forced to write a personal essay in order to get a much-desired job, he tells the story of the rape and murder of an Indian girl by a drunken thug. When the killer received a lenient two-year sentence for manslaughter, the First Nations community felt shock and anger—and tried desperately to deal with the after-effects of this lack of justice.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.