"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?