Daiyogen: Fukkatsu no Kyojin 

Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.

After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.

True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.