Brendan, an American anthropologist, used to wander the planet exploring human nature in all its forms and beauty. But today, he has to embark on a very different project. After falling in love with a Danish woman, he ends up a stay-at-home dad of two toddlers in Copenhagen, and his own boring life as a caregiver becomes his only object of study. Once unable to conform to a conventional lifestyle, he now discovers the few joys and many hardships of child rearing, as well as the bizarre culture of hygge that surrounds him. Abandoned by his mother as a kid, Brendan swore to never inflict the same trauma on his children, but he suddenly understands the prison she found herself in: “We need to find another word than love for this,” he ponders. Filmed over five years, this tragicomic diary is a relatable, taboo-free look at the exquisite torture of parenthood.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Based on a true story, this sports movie is centered around a college football player.
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.
Guillermo del Toro's masterwork "Pan's Labyrinth" stands test of time as it celebrates 20th anniversary in theaters.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
