Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Reeling from the news of his sister's suicide, Beau McCammon returns home to his family after a long absence. His father, who has just barely won another term as senator, doesn't take things well when Beau approaches him with the sinking suspicion that the suicide may have actually been a murder. Determined to solve the mystery, Beau uncovers a plethora of family secrets, deception, and implications of unspeakable political wrongdoings.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.