
1883, Baycliff, an isolated English village on the Irish Sea. Two women's friendship becomes passion. Cynara, a sculptor, alone, befriends Byron, a visitor who's left Paris in unhappiness. They ride horses, talk, play chess, and exchanging tenderness. Byron inspires Cynara as she sculpts, Cynara becomes Byron's muse as she writes.
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'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.