I Wouldn't Recommend "The Last House" If It Was The Last Movie On Earth
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end

A difficult night out sparks a traumatic memory for a woman whose way out is to ritualistically harm, then fix herself. Intercutting the two states of the protagonist's psyche, rich golden sweeps from the past begin to bleed into the reds and blues of the film's present.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
An attempt to capture nostalgia that unfortunately just doesn’t work
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.