‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

A deserted factory. The last dying gasp of Euna, who is cruelly and slowly dying, can be heard by someone. Suddenly, Director Jun-seok shouts, "Cut!" At that moment, an incessant sound of rain can be heard, and it is raining invisibly. Is it someone's delusion or reality?
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
An attempt to capture nostalgia that unfortunately just doesn’t work
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.