Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Samet invites his friends over to celebrate his promotion to general manager. While feeding the cats before entering the house, he sees the woman on the ground floor undressing and runs away when she notices him, which leads to the doorman being blamed. His wife Zeynep, who has always defended the doorman while discussing this issue with her friends, will she defend what she believes is right when she learns that Samet is the real culprit? Or will she protect her interests?
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
This movie will always resonate with queer people, for as long as queer people exist.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.