Misaki is a popular bar hostess whose policy is to 'live on presents'. She is haughty and wants nothing but the most expensive and exclusive. One night, she finds a rabbit and takes it home, setting off the story of an unimaginable tragedy. It is an 'animal panic horror' film with a new edge presenting an allegory of the worst in the modern materialistic world. This is the first full-length feature film for Yuichi Kanemaru, who has worked as assistant director to Kaneto Shindo, Yasuo Furuhata and Takashi Miike. And Tomoko Tabata's dynamic performance in her first horror movie is a definite highlight.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
Love is Blind Season 2 is the perfect reality show to tie a viewer over until the next season of Bridgerton. Check out Love is Blind Review Season 2
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
