Set in a rural Québec village in the dead of winter, Jean-François, a single father, works at a deserted bowling alley at night and in a rundown motel during the day. His daughter, Julyvonne, never leaves their home. Jean-François isolates her in fear that contact with the outside world will scar her the way it has him.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
