Lavish romantic melodrama, obsessively concerned with sex. Maryska's husband is off to war. He soon is reported missing, and she does not protest much when is seduced by the husband's friend, a seedy professor with sickly wife and other mistresses on the side. However, the love of Maryska's life turns out to be a shy 17-year old, son of friends with whom she goes to stay.
Jerzy Domaradzki
Director
Grażyna Trela
Maryśka Miechowska
Jerzy Stuhr
Stanisław Ciąglewicz
Henryk Bista
Ramke
Olaf Lubaszenko
Adam Karowski
Janusz Michałowski
Professor Kałucki
Piotr Machalica
Zdzich Miechowski
Anna Majcher
Nastka
Ewa Telega
Janina
Elżbieta Karkoszka
Karowska
Kazimierz Kaczor
Dr. Smolarski
Zbigniew Józefowicz
Karowski
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.