Cuma Sutra serves up a sexual feast of heart-pounding meditation and desire, filmed entirely on location at a yoga retreat in the rolling hills of southern Washington. Right away, you're whisked away to nirvana as Black Scorpion Exclusive D.O. quietly meditates in a field, when he's approached by the sultry Pistal Pete, a hungry stud who's far more interested in D.O's sexual chakras than picking grapes. The electricity between these two beautiful men keeps you on the verge of climax as you take in magnetic scenes of kissing, fondling, sucking, rimming, and a pre-climactic fucking scene in which D.O's prowess leads Pete along the ultimate path to sexual release...
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
