Tatsuru Sawada works as an assistant cameramen. He spends his days just wasting away. To change himself, he joins the Japan Overseas Cooperation Volunteers. At the training camp. he causes trouble. He opposes Kazunari Hamura and frequently breaks the rule at the camp. Tatsuru and Kazunari are then sent to the Philippines with Shiho Nomura . Even in the Philippines, Tatsuru and Kazunari do not get along as well. One day, Tatsuru goes to Baguio to take a picture. There, he meets a boy named Noel and his older sister Angela. He worries about the situation in the Philippines. He feels helpless and goes back to Japan. 8 years later, Tatsuru and Kazunari meet again in the Tōhoku region where the great earthquake and tsunami occurred.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
