Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

The clock strikes midnight, money changes hands, the crowd is on their feet, and the court is alive with fast-paced razzle-dazzle basketball. These players don't play for a school or a pro team. They play for the street and it's underground...way underground.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.