Is It Still Possible to Achieve a Happyend Nowadays?
Neo Sora left a realistic and yet hopeful notion for the near future and the now.

A road movie set in Iraq in 2003 during the fall of Saddam. Two Kurds are looking for the parents of a five-year-old boy who has been found in the street in tears. His name is Saddam too. At the same time the boy's parents are looking for him everywhere, worried because of the boy's name which is now taboo. All the attempts of the two Kurds to get rid of the child fail: neither the Americans nor the men of religion at the mosque want him. Little Saddam begins to become a real problem. In the streets and all around them, they are surrounded by the chaos and crazy atmosphere of those days, with violence always on the verge of exploding.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.